R.I.P. Gone With The Wind Star Olivia De Havilland Has Passed Away At Age 104


Olivia de Havilland, the fr-agrant queen of the Hollywood costume drama, has passed away at the age of 104.According to the Hollywood Reporter, her publicist said she had passed away from natural ca*ses in Paris, where she lived.

While De Havilland won two best actress Oscars – for her roles in 1946’s To Each His Own and 1949’s The Heiress – she remains best remembered for her performance as stoical Melanie Hamilton Wilkes in the 1939 classic Gone With the Wind.

Born in Tokyo and raised in California, the older sister to fellow actor Joan Fontaine, De Havilland made her screen debut in Max Reinhardt’s lavish 1935 adaptation of A Midsummer Night’s Dream. She went on to sh*ot eight collaborations with Errol Flynn, including turns in Captain Bl*od, They passed away With Their Boots On and The Adventures of Robin Hood.

De Havilland’s specialty was the dem-ure, soulful beauty. “Playing bad girls is a bore,” she once cla!med. “I have always had more luck with good-girl roles, because they require more from an actress.” But the actor’s soft exterior concealed a core of steel.

In the 1940s she successfully sued Warner Bros in a landmark ruling that helped break the stranglehold of the US studio system. “I was told I would never work again, if I won or if I lost,” she later recalled. “[But] when I won they were impressed and didn’t bear a gr*dge.”

De Havilland did indeed continue to work, most notably ru*tling an acclaimed portrait of me*tal il-lness in the 1948 drama The Snake Pit. But the screen credits dwz!ndled following her move to Paris in the mid-1950s. She appeared in Lady in a Cage, Robert Aldrich’s Hu-sh … Hu-sh, Sweet Charlotte, and the 1970s TV miniseries Roots:

The Next Generation. Away from the cameras, she preferred teaching Sunday school at her local church.She was awarded the National Medal of Arts in 2008 and briefly emerged from retirement to narrate the 2009 Alzheimer’s documentary I Remember Better When I Paint. In 2018 she launched a legal ac-tion aga!nst the TV show Feud:

Bette and Joan (about the r!valry between fe-llow stars Bette Davis and Joan Crawford), but the suit was thrown out of court. In later life, she insisted, acting had largely lost its all-ure. “Life is too full of events of great importance,” she told one interviewer. “That is more absorbing and enriching than a fantasy life. I don’t need a fantasy life as once I did. That is the life of the imagination and I had a great need for it. Films were the perfect means of satisfying that need.”

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